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("I love the way you look at me / I love the way you smack my ass / I love the dirty things you do / I have control of you."). This coming from a band that gave us "Control" in 2001.
BEST OF PUDDLE OF MUDD ALBUM COVER FULL
Just an old Victrola phonograph providing a fitting cover for - what else? - an album chock full of classic rock covers of tunes from the 1970s and '80s. No running mascara ( Volume 4: Songs in the Key of Love & Hate, 2009). No album art showing a young boy with his pants around his ankles taking a leak behind the bushes ( Come Clean, 2001).
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Feel free to send your pitch here.įrom the first time you pick up Puddle of Mudd's newest release, Re:(disc)overed (for those of you who still buy CDs), it's clear this isn't your typical Puddle of Mudd album. We have been looking for new voices and are willing to listen if you have something worth reading. A former writer for the Alton Telegraph, Baalman brings a love of classic rock 'n roll, metal and alternative to the mix. This is going to be a real important record for us and we really want to try to take it to the next level and surprise people, so I think (‘re:(disc)overed’) is a great springboard for that to happen.Editor's note: Today we present a guest review from our friend Chad Baalman. “I think it brought everybody’s playing up to another level…and maybe a platform for us to experiment a bit more on the next record and try some different things. “I think this kind of opens us up,” he says. Meanwhile, the group is eyeballing an original album Santlin has written four songs he describes as “really cool, heavy stuff, really wicked, almost like Soundgarden, ‘Badmotorfinger’ type old-school Puddle of Mudd.” And both Scantlin and Phillip predict that making “re:(disc)overed” will have some impact on Puddle of Mudd’s new songs, too. Frontman Wes Scantlin says the shows will featuring an opening set of the entire “re:(disc)overed” album, followed by an intermission and then a set of Puddle of Mudd’s original material.
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Paul, Minn., and also including an appearance at the Download Festival on June 10 in the U.K. Puddle of Mudd will be on the road this summer, starting with Memorial Day weekend festival shows in St. Phillips calls the guitar solo on “All Right Now” was his “arch nemesis,” but the most challenging track, he felt, was “D’yer M’ker.” “I really didn’t think we were gonna pull that off at all, just because the reggae feel is not what we do, and the way (John) Bonham played it, he’s just got that thing that not many people can do, you know? So I was very surprised by that one, personally. We really tried to keep them true to what they were, because they are great songs already, so who am I to go in and change a Rolling Stones song? They’re not slavish copies these songs do have a Puddle of Mudd flavor to them, but we didn’t go in and change parts just to make it sound more like us.” It’s easier to record a Puddle of Mudd song, but to tackle an arrangement like that is a lot more difficult to do, and that’s what we wanted.”įor the most part, Phillips adds, Puddle of Mudd chose to “pay tribute” to the songs “rather than bastardizing them like a lot of people do when they do covers. I mean, doing an Elton John song with piano and backup singers and stuff is not easy. And that’s something we wanted to do, but we wanted to stretch our legs, and it was a very challenging thing to have songs that have piano and these big, crazy arrangements and stuff. “People hear Puddle’s gonna do a covers album and they think it’ll be Nirvana and the Ramones and Metallica and stuff like that.
“We chose a lot of things that were challenging,” Phillip explains. The Rolling Stones‘ “Gimme Shelter” is the set’s first single and will be serviced to radio in mid-June, and the album also includes versions of Free‘s “All Right Now,” Bad Company‘s “Shooting Star,” Neil Young‘s “Old Man,” Led Zeppelin‘s “D’yer M’ker” and Elton John‘s “Rocket Man.” “Re:(disc)overed” features 11 of the 15 songs Puddle of Mudd recorded with producer Bill Appleberry during January and February at the Bomb Shelter, a studio owned by Stone Temple Pilots drummer Eric Kretz in Los Angeles.
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